Entire Kanye West Album Leaked on Discord, Leakers Say Proceeds Will Benefit U.S. Holocaust Museum

Kanye West’s Entire Album Leaked on Discord; Leakers Pledge Proceeds to U.S. Holocaust Memorial Museum

In a dramatic turn of events, Kanye West’s unreleased album, WW3, was leaked in its entirety on Discord on May 18, 2025. The leak has sparked widespread controversy, not only due to the album’s provocative content but also because the leakers announced that all proceeds from the unauthorized distribution would be donated to the U.S. Holocaust Memorial Museum.

The Leak and Its Unusual Philanthropy

The album’s leak was orchestrated through a Discord server, where users organized a “group buy” of the album for $999. The leaker, who remains anonymous, stated that the funds collected would be donated to the U.S. Holocaust Memorial Museum. In a message accompanying the leak, the leaker condemned Kanye West, stating:

“Glorifying fascism is not ‘art’; ‘love speech’ is just an excuse to say outrageous s–t for attention. Kanye West is a 50-year-old spineless braindead deadbeat drug addict porn addict Nazi b—h. All proceeds from this album group buy will be donated to the US Holocaust Memorial Museum.”

This act of protest has been met with mixed reactions, with some praising the leaker’s intentions and others criticizing the method.

Controversial Content in WW3

The leaked album, WW3, contains several tracks with provocative titles and lyrics. Notable tracks include “Diddy Free,” “Dirty Magazines,” and “Free My Kids.” The album has been criticized for containing antisemitic themes and glorifying fascism. Lyrics from the album reportedly include lines such as:

“Hitler got me inspired, I’m a Nazi glorifier.”
“I keep rocking Swastikas, these pussies still can’t cancel me.”
“No I don’t live a regular life, my niggas stay 3rd like Reich.”

These lyrics have intensified the backlash against West, who has previously faced criticism for antisemitic remarks and controversial behavior.

Kanye West’s Response

Kanye West responded to the leak on social media, expressing frustration and suggesting that the leak validated his experiences with censorship and criticism. He tweeted:

“Somebody got a drive and threw it on YouTube and said this is CUCK. What I love about getting blocked on DSPs and having songs leaked and shows cancelled is… It proves everything I’m saying and why I’m saying.”

West also addressed rumors regarding the track “Uncle,” clarifying that it is not about his wife, Bianca Censori, and is not included in the album Cuck.

Fallout and Cancellations

The leak has had immediate repercussions on West’s promotional activities. A planned listening party for WW3 in South Korea, scheduled for May 31, 2025, has been canceled due to the controversy. Organizers issued a statement:

“We would like to inform you that the ‘YE Korea Concert’ scheduled for Saturday, May 31st has been inevitably canceled due to the recent controversy surrounding singer Kanye West (YE).”

Additionally, sales of Yeezy brand merchandise in the region have been halted.

Public and Industry Reactions

The leak and its associated messages have elicited a wide range of reactions. Some fans and industry observers have expressed support for the leaker’s decision to donate proceeds to the Holocaust Museum, viewing it as a form of protest against West’s controversial content. Others have criticized the leak as an unethical breach of intellectual property rights, regardless of the intended donation.

Social media platforms have been flooded with discussions, memes, and debates about the leak, the album’s content, and West’s ongoing controversies.

Conclusion

The unauthorized leak of Kanye West’s WW3 album has added another chapter to the artist’s tumultuous career. The leaker’s decision to donate proceeds to the U.S. Holocaust Memorial Museum has introduced a complex layer to the narrative, blending issues of artistic expression, hate speech, and activism. As the music industry grapples with the implications of this event, the broader conversation about the responsibilities of artists and the power of protest continues to evolve.